Sunday, 28 November 2010

Section 6: Character outlines and shooting script

Name: James Taylor. (The Killer)
Age: 44

 
Seeks to gain revenge on Detective Inspector. Kennedy on what he believes to be the wrongful incarceration of his brother; Michael. He tries to gain revenge by putting D.I. Kennedy through what he has experienced the past 15 years. The removal of what he cares most about; his colleague, his wife and the chief of police. James suffers from chronic psychosis which causes James to have a lack of connection with reality and severe depression, this has actually lead him to believe that his brother was wrongfully imprisoned by D.I. Kennedy. James believes that by taking what D.I Kennedy cares most for he'll be given back what he most cares for; his brother.

 

 
Name: Marianne Kennedy
Age: 49

 
Wife of Detective Inspector. Kennedy and self-employed business woman. Works throughout the day at home looking after the house and running her business. D.I Kennedy and Marianne have been married for 4 years and are wishing to start their own family soon. She's a quite, shy person who keeps herself to herself.
 
 
 
 
  1. Behind the Woman in the Dining Room - see the laptop - Pans round to her side
  2. Long side shot of the woman
  3. Medium close up of her face from the side
  4. Over the shoulder, high angled shot looking at the laptop
  5. Low angle/Close up of her to show she's tired
  6. Close up of her watch - to show time is passing from a high angle (her point of view)
  7. Long shot from the side - to show she's tired as she rubs her face
  8. Long, low angled shot of her walking to the door
  9. High angle of her closing the door
  10. Extreme close up of her hand locking the door
  11. Mid shot behind the woman looking through the blinds
  12. OUTSIDE SHOT! Long shot of her looking outside, blinds begin to shut
  13. Over the shoulder shot, behind her, closing the blinds
  14. Very low angle of her sitting down from the side
  15. Point of view shot grabbing a file and filing something
  16. Over the shoulder shot of her typing
  17. Point of view shot with the cup of tea - high angle
  18.  A close up of her typing. A cup of tea and door are in the background
  19. Mid shot from the side: typing, filing, looking tired, drink a bit of tea and eventually fall asleep - Editing stage we'll quicken this shot up
  20. Same as 18 but different dark lighting - she's waking up
  21. Long shot walking to the light switch
  22. Almost a point of view shot to turn the light switch on
  23.  Close up of the light switch being turned on
  24. Tracking shot of her going into the kitchen
  25. Mid to long shot, titling sideways of her walking past
  26. Low angle from behind when kettle is on - she looks back quickly
  27. Long shot of her turning round from behind/side back to the kettle
  28.  A close up of the kettle boiling
  29. Close up of kettle finishing and the knife in the background- blue light to the normal setting
  30. Point of view shot looking at the knife
  31. Close up putting knife back in the knife holder
  32. A close up of the tea bag falling into the mug
  33. Mid close up shot of the kettle pouring water into the cup
  34. Low angled shot of her making a cup of tea
  35. Long shot from behind of her stirring the tea
  36. Camera is placed on the worktop - Woman walks with tea and goes off camera
  37. Mid shot behind her into the dining room
  38. Point of view shot from the computer of her sitting down
  39.  Low angle long shot from the side of her suddenly looking to the side (not at the camera)
  40.  Mid shot from the side, she looks back and starts to shiver
  41. POV shot from the computer of her shivering and looking towards the door
  42. Long shot of the open door
  43. Mid long shot from behind of her starting to get up
  44. Long shot from the side of her walking towards the door
  45. Low angle long shot from behind
  46. Mid shot from the side tracks to the door
  47. Close up shot of her locking the door
  48.  Close up shot of her face looking down
  49. Low angle shot moving towards her
  50. Mid close up from the side of her turning round
  51. Shot from behind becomes close up the extra close up.
 

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